Dominika Bugno-Narecka

dr Dominika Bugno-Narecka

Wydział Nauk Humanistycznych - Instytut Literaturoznawstwa
Katedra Literatury i Kultury Amerykańskiej
Stanowisko: Adiunkt posiadający stopień naukowy dr

2023

Prace licencjackie
  • Psychoanalytical Reading of Mona Awad's "Bunny"
  • Elements of Horror in Stephen King's "11/22/63"
  • The Image of Women in Willa Cather's "O Pioneers!" and Kent Haruf's "The Tie That Binds"
  • The Concept of Passing in Nella Larsen's "Passing" and Brit Bennett's "The Vanishing Half"
  • Elements of Dystopia and Anti-Utopia in James Dashner's "The Maze Runner" Series
  • The Image of the Headless Horseman in Selected Texts of Culture
  • Fear in Stephen King's "IT"
  • The Image of Pocahontas in Selected Texts of Culture
  • The Image of Cancer in Paul Kalanithi's "When Breath Becomes Air" and John Green's "The Fault in Our Stars"
  • "The Minds of Billy Milligan" by Daniel Keyes as an Example of True Crime

2022

Prace licencjackie
  • Psychoanalytical Reading of Stephen King’s "The Outsider"
  • Intertextuality in the Coming of Age Novel – Nancy Kleinbaum’s "Dead Poets Society"
  • Forensic Imagination in Michael Connelly's "The Drop"
  • Southern Gothic and Cultural Changes in Flannery O’Connor’s "A Good Man Is Hard to Find" and "Everything That Rises Must Converge"
  • Lois Lowry’s "The Giver" as an Example of Dystopian Fiction
  • Dynamic Protagonists in Epistolary Short Stories: "Unmailed, Unwritten Letters" and "Passions and Meditations" by Joyce Carol Oates
  • The Role of Poetry in Elizabeth Acevedo’s "The Poet X" and Sandra Cisneros’ "The House on Mango Street"
  • Narrative Perspective and Posttraumatic Stress Disorder in Hanya Yanagihara’s ‘A Little Life’
  • The Republic of Pirates in Selected Texts of Culture
  • The Image of Dance in "Tiny Pretty Things" by Sona Charaipotra and Dhonielle Clayton
  • Memory Loss in Lisa Genova's "Still Alice"
  • The American Dream in Ha Jin’s "A Free Life"

2021

Prace licencjackie
  • "Ted Bundy: Conversations with a Killer" by Stephen G. Michaud and Hugh Aynesworth as an Example of True Crime
  • Alternative Jewish History in Philip Roth’s “The Plot Against America”
  • Ekphrasis in Dan Brown’s “Inferno”
  • The Image of Women in Tennessee Williams’ “A Streetcar Named Desire”
  • Donna Tartt’s “The Goldfinch” as an Example of Bildungsroman
  • Suzanne Collins’ “The Hunger Games” as an Example of Dystopian Fiction
  • Representations of Music in “A Visit from the Goon Squad” by Jennifer Egan
  • The Image of Post-Traumatic Stress Disorder in Stephen Chbosky’s “The Perks of Being a Wallflower” and Helene Dunbar’s “These Gentle Wounds”
  • The Image of Women in “Pride and Prejudice” by Jane Austen
  • The Image of Women in "Alias Grace" by Margaret Atwood
  • The Representation of Legal Procedures in Jodi Picoult's "Handle with Care"

2020

Prace licencjackie
  • "Brave New World" by Aldous Huxley as an Example of Dystopian Science Fiction
  • The Harry Potter Series as an Example of Bildungsroman
  • The Image of Love in Nicholas Sparks' "The Notebook" and Its Film Adaptation
  • "The Bell Jar" by Sylvia Plath as an Autobiographical Novel
  • The American Dream in F. Scott Fitzgerald's "The Great Gatsby"
  • Magical Realism and Carnivalesque in Angela Carter's "Wise Children"
  • Equivalence in the Selected Polish Translations of Shakespeare's "Sonnets"
  • Forensic imagination in Agatha Christie's "Elephants Can Remember"
  • Charles Dickens' "Great Expectations" as an Example of Bildungsroman
  • The Image of Elves in J.R.R.Tolkien's "Silmarillion" and A. Sapkowski's "Blood of Elves"
  • Feminism in Salman Rushdie's "The Enchantress of Florence"
  • The Image of a Strong Woman in "Oranges Are Not The Only Fruit" by Jeanette Winterson
  • The Image of Women in a Concentration Camp in ''The Kommandant's Mistress'' by Sherri Szeman
  • The Image of a Strong Woman in Sarah J. Maas's "A Court of Thorns and Roses"

2019

Prace licencjackie
  • Cosmic Horror in the Selected Works of H.P. Lovecraft
  • Story reception in J.K. Rowling's "Harry Potter and The Prisoner of Azkaban" and its film adaptation
  • Anti-utopian vision of society in Margaret Atwood's 'The Handmaid's Tale'
  • The image of New York in F. Scott Fitzgerald's "The Great Gatsby" and its 2013 film adaptation
  • Reliability of Depiction of Mental Disorders in Chuck Palahniuk's "Fight Club"
  • "Oliver Twist" by Charles Dickens as an example of Victorian novel
  • Mr. Darcy as an ideal male literary character
  • "The Quiet Room" by Lori Schiller and Amanda Bennett as a literary memoir
  • Postmodern fairy tales in Angela Carter's "The Bloody Chamber and Other Stories"

2018

Prace licencjackie
  • Elements of Gothic in Arthur Conan Doyle's "The Hound of the Baskervilles"
  • From Utopia to Dystopia in Veronica Roth's "Divergent"
  • Digital Nation as the False Promise of Utopia in Dave Eggers' "The Circle"
  • Sacrifice and Resurrection in "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe" by C.S. Lewis
  • "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe" by C. S. Lewis as Christian fiction
  • H.P.Lovecraft's "Great Tales of Horror" as an example of American Gothic Fiction
  • Teenage Depression in Jodi Picoult's "Nineteen Minutes" and "The Pact"
  • The Image of War in Kazuo Ishiguro's ''An Artist of the Floating World'' and Siegfried Sassoon's ''Suicide in the Trenches''
  • Gender stereotypes in Mark Twain's "The Diaries of Adam and Eve"
  • Baroque Image of a Woman in "On Black Sisters' Street" by Chika Unigwe
  • Satire in Jane Austen's "Pride and Prejudice"
  • Forensic imagination in Young Adult fiction on the example of "Never Never" series by Colleen Hoover and Tarryn Fisher
  • Elements of Romanticism and Transcendentalism in Jon Krakauer's "Into the Wild"